Book: Cannery Row
Author: John Steinbeck
Edition: Softcover, Penguin Books, 1992
You can purchase Cannery Row online at Hugo Bookstores.
John Steinbeck’s astute observations of American life is part of his broad appeal and why his novels remain a staple in many high school literature classes. Cannery Row, one of his most endearing short novels, is ideal for a book group looking for a classic American novel; many of your members may already have the book at home.
The in-depth characterizations are drawn almost as individual vignettes. As Steinbeck states in the prologue, “And perhaps that might be the way to write this book— to open the page and to let the stories crawl in by themselves.” Clearly Steinbeck knew just what bait to use to attract the finest of stories.
There is ample to discuss around each of the characters. Your group can focus on Steinbeck’s portrayal of the Cannery Row community and the community that Steinbeck personally knew in California during the Great Depression. Or take your group’s discussion in an entirely different direction and probe the environmental and societal changes in and around Monterey, California between the Great Depression and now.
Internet Resources
There are a wealth of resources to support many different areas of focus for your group. So many in fact, that rather than providing redundant triggers to get your book discussion started, I recommend looking over the Center for Steinbeck Studies for a selection of discussion topics.
Before beginning your discussion, you may want to watch the speech Steinbeck gave at the Nobel Banquet on December 10, 1962. He was awarded the Nobel Prize in Literature for “his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception”.
If you are interested in the history of Cannery Row, read this brief overview of the history of the Monterey fishing industry , its rise and collapse.
For a look at the canneries in 1940, The Monterey Bay Aquarium has a video of the canneries at the height of the sardine industry. While the characters in Cannery Row come out by and large
If your group is wants to delve into a discussion centered on Doc, the central character and “the conscience of the story” as described by The Center for Steinbeck Studies, then listen to this 2003 Morning Edition story on NPR. Part 2 in particular focuses on Ed Ricketts, a friend of Steinbeck's from whom he drew the character of Doc, and there is a brief audio segment of Steinbeck reading from the short story The Snake.
Finally, two thematic areas that your group might want to explore are humanity and the environment. Thoughts on Steinbeck’s vision of humanity and the thin fibers that connect us are raised by Dr. Susan Shillinglaw of San Jose State University. For an environmental look at the change in the sea life populations in Monterey, The Atlantic published Why West Coast Sea Life Has Been Behaving So Strangely in January 2014.
Major Characters
Doc, loosely based on Steinbeck’s friend Ed Ricketts, scientist who runs Western Biological Laboratory who, according to The Center for Steinbeck Studies, “serves as the conscience of the story, as nearly all of the plot’s events, whether directly or indirectly, are processed through his viewpoint.”
Lee Chong, grocer whose grocery is a “miracle of supply.”
Mack, “elder, leader, mentor, and to a small extent the exploiter of a little group of men who had in common no families, no money, and no ambitions beyond food, drink, and contentment,” page 9, who reside in the Palace Flophouse and Grill.
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| Perhaps this individual is reading Steinbeck on location |
Hazel, one of Mack’s “boys” who is slow in thought and helps Doc collect specimens.
Eddie, another of Mack’s “boys” and substitute bartender at La Ida. He keeps a winning jug for the boys.
Hughie and Jones, two other of the “boys” that live with Mack in the Palace Flophouse and Grill.
Gay, lives at Palace Flophouse a short time, known as a mechanic.
Dora Flood, madam and owner of the local whore house called the Bear Flag Restaurant.
Alfred, watchman and bouncer at the Bear Flag Restaurant.
The Old Chinaman, a mythical character. “Some people thought he was God and very old people thought he was Death and children thought he was a very funny old Chinaman,” page 23.
Andy, a young boy and the only person to ever cross the old Chinaman.
Frankie, young boy from an abusive home who spends most of his time with Doc.
Discussion Topics
There are a plethora of discussion topics available online. The Center for Steinbeck Studies has a list of major themes and essay questions that you can use to get your book group discussion started. Here are three additional topics that are more outward focused to get your group started on making connections between your reaction to the book and your life experiences.
John Steinbeck
Certainly Steinbeck is a widely recognized and much lauded American author. All the same, you can form your own perspective on what you like and dislike about his writing. Be honest— what about his writing drew you in? What about his style does not appeal to you?
In what ways does Steinbeck’s narrative style draw you in? Did you find that the stories crawled out to meet you as Steinbeck allowed that perhaps the way to write the book would be to “let the stories crawl in by themselves”? Did you feel close to any of the characters? Could you make connections between any of the characters and individuals in your life?
Order, Disorder and Interconnectedness
Steinbeck presents a dichotomy of order and a reason for everything, and the surprise of death and disorder. In Doc’s lab the safe is no longer kept locked for a very good reason as once there was locked in the safe, “an open can of sardines and a piece of Roquefort cheese,” page 26. And yet in the kitchen, dishes and cooking fat and vegetables are kept in glass-fronted bookcases, “No whimsy dictated this. It just happened,” page 27. Near the end of the novel, Mack and the boys are “the stone dropped in the pool, the impulse of which sent out ripples to all of Cannery Row and beyond,” page 166.
How is your view of the universe, aligned or at odd’s with the order and disorder presenting in Cannery Row?
Through loosely entwined vignettes such as the ancient Chinaman, and the two boys, Joey and Willard, casually discussing Joey’s father’s suicide, Steinbeck intersperses moments of darkness. How did these moments of darkness affect your reading? Were they moments that made you stop and ponder life or simply move on to the next chapter? Why do you think Steinbeck included these vignettes and how do they imbue the novel with life?
Cannery Row
The hustle and bustle of a multitude of localities ebb and flow over the decades as industries change, people relocate, environments change. Cannery Row is but one example of a locale that has gone from the activity of a booming industry to falling into disrepair to being rebuilt as a tourist destination.
What places in your life have you seen go through this cycle and be reborn with a new focus, whether tourism or a burgeoning industry? What role do you think Steinbeck's writings played in Cannery Row being re-imagined as a tourist destination? Why are some places more successful at transformation after industries die out? What parallels do you see between the boom and bust of the real life Cannery Row and the flow of life and death in the book?
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| Looking Out from Cannery Row 2006 |
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